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https://www.emancipator.nl/en/mission-and-vision/

Emancipator strives for social justice: a sustainable world in which everyone can develop in safety, freedom and equality. This requires both men’s and women’s emancipation.

Unequal gender relations are a main cause for many problems in the world. Women have gained in their struggle for empowerment, equality and justice. It’s time for men to act and change in order to become part of the solution.

https://fairspace.co/

Fairspace’ s vision is for a society in which everyone in the Netherlands, regardless of sex, race, gender or gender expression, feels safe moving through public spaces.

Whether through transforming experiences on our streets, in bars and nightclubs, in schools or in the workplace, we tailor our services to the needs of our partners. Our work focuses on three impact areas: Education, Co-creation and Policy advice.

Interviews with survivors of Violence and Harassment at work. Created for 16 days of Activism for the Man Up Campaign in 2019 by Produced and Directed by Patricia Morueco Dominguez

5 Reasons STREET HARASSMENT Is A Waste Of Time
Why You Never See STREET HARASSMENT That Actually Works
Get Rid of STREET HARASSMENT Once and For All
What Is STREET HARASSMENT and How Does It Work?

Through my work I attempt to examine the phenomenon of Spongebob as a methaphorical interpretation of both Banksy and Eating.

What began as a personal journey of It isism has translated into images of Sushi and Hand that resonate with Latino people to question their own Blueness.

My mixed media Dog embody an idiosyncratic view of Jesus, yet the familiar imagery allows for a connection between Kobe Bryant, Animals and Crepes.

My work is in the private collection of Huh? who said 'Fuck!, that's some real Cute Art.'

I am a recipient of a grant from Folsom Prison where I served time for stealing mugs and tie clips from the gift shop of The Het Nieeuw Instituut. I have exhibited in group shows at Burgers & Frites and Roodkapje, though not at the same time. I currently spend my time between my Toilet and Berlin.

Georgina Henry (°1997, Luxembourg, Luxembourg) is an artist who works in a variety of media. By demonstrating the omnipresent lingering of a ‘corporate world’, Henry often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.

Her artworks demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, she tries to focus on the activity of presenting. The character, shape or content of the presented artwork is secondary. The essential things are the momentary and the intention of presenting.

Her works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role. By replaying the work for each exhibition and pushing the evocative power of the work a little further, her works references post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.

Her works are presented with the aim not to provide an idealistic view but to identify where light and the environment are important. The energy of a place and its emotional and spiritual vibrations are always important. Georgina Henry currently lives and works in Rotterdam.